傅狷夫書畫資料庫

1932

(age 22)
Fu was invited to Xin Wei Calligraphy Painting Exhibition, his four paintings and a couplet was included into the Xin Wei Calligraphy Painting Album, which was the earliest printed matter.

1935

(age 26)
Fu focused on Wen Hung-shan's semi-cursive calligraphy and regular script in small characters, and Sun Kuo-t'ing's Essay on Calligraphy.

1936

(age 27)
Fu focused on learning the works of Shitao during this period of time. Which was then, he completed one of his most famous works, Remaining Artistic Spirit of the Crystalline Xiang (Qing Xiang Yi Yun).

1937

(age 28)
Fu followed the troops to Hubei (Eh), Hunan (Xiang), Guangxi (Gwai), Guizhou (Qian) and finally to Sichuan. Along the way, Fu started to paint and wrote down what he saw of Jialing River and Yangtse Gorges. It wasn’t till then, Fu experienced and understood the intentions of “learning from nature” and “to deeply observe all of nature, but paint freely on paper”.

1939

(age 30)
Fu was given the name (Fu Bao Qing Yang) in Chongqing in the end of March.

1940

(age 31)
Fu became a student of Mr. Chen Zhifo, who influenced Fu a lot, especially towards his aspects of colors.
Fu became acquainted with Mr. Huang Jun-Bi.
Held a solo-exhibition in Chengdu.

1942

 (age 33)
During Fu’s solo-exhibition in Chongqing, Fu Bao-Shi collected his painting, and also received Xu Bei-Hong’s painting Ma (Horse).

1944

 (age 35)
Fu held four double-exhibition with Mr. Gao Yi-Hong, a friend from Xiling Painting Calligraphy Art Institute, in Sichuan Kai County, Fengdu County, Fuling District, and Changshou District. He did life drawings on palm trees and plantains.
Mr. Wei Da-Jian made the seal “Du-Zhou-Cao-Tang” (Sole Drink Thatched Cottage) for Fu’s study hall.
Fu’s eldest daughter, Wan-Sheng, was born.

1945

 (age36)
Fu held a solo-exhibition in Chongqing in May, where his work was shown to becoming more permissive. The preface for this exhibition was written by Mr. Chen Ji-Fo.

1946

 (age 37)
Fu’s eldest son, Li-Sheng, was born.
Held a solo-exhibition in Chengdu in May. The exhibition contained finger paintings, landscapes, and palm tree ink paintings.

1952

(age 43)

1955

 (age 46)
Solo-exhibition at Zhongshan Hall (Taipei City Public Auditorium) in July.

1959

(age 50~70)
Fu served as one of the judges for Taiwan’s National Art Exhibition.

1960

(age 51~53)
Fu accepted the position as a Chinese landscape painting art teacher in Chinese Writer’s & Artist’s Association.

1961

 (age 52~63)
Fu became an ink-wash painting professor in the Fine Arts Department of The Political Warfare Cadres Academy.

1962

(age 53)
Became the first director of Chinese Painting Society
Founded RenYin Art Association, BaPung Art Association, Taiwan Chinese Calligraphy Society, and Chinese Painting Society.
 

1964

(age 55)
Was hired to demonstrate painting techniques on Chinese landscape paintings for ten minutes every week, on the Art Teaching TV show at Taiwan Television Enterprise, Ltd.
Mr. Lee Da-Mu made the seal, Lao Mei Shu Wu 老梅書屋 (Old Plum Book House).
 

1965

(age 56)
Received Golden Goblet Award from Chinese Art Association (Central Daily News)

1967

(age 58)

1973

(age 64)
Attended the Bringing Chinese Calligraphy Painting into Homes Movement Exhibition.
BaPung New Years Exhibition. Attended the Contemporary Chinese Painting Masters' Guest Exhibition.
Fu said "The essence of our nation's tradition is loveable, the spirit of modern is gratifying." at the conference of the Painting Association. Was elected as the first chairman of Calligraphy Painting Evaluation Association,
Fu collaborated with Gau Yihong and Ji Kang in painting the "Three Friends Painting" (三友圖/San You Tu), which was given to the Sun Yat-sen Center in Madrid, Spain.
Attended the ninth Japan Asia Art Exhibtion. Attended the Republic of China Modern Art Exhibition in Paris.

1975

(age 66)
Was the judge of the Third National Youth Painting and Calligraphy Competition.
Attended the Second Chinese Art Exhibition in Hawaii.
 

1976

(age 66)
Attended the Ten People Calligraphy Association calligraphy exhibition at St. John's University.
Opened an art studio, NaShan Building (納山樓), in the fall
 

1978

(age 69)
Was invited by the Kwai Hall Calligraphy Society to hold a solo exhibition in KSB-TV (Korean Broadcasting System TV) in Korea.
 

1982

(age 73)
Invited to be the representative of the Chinese Calligraphy Artist to visit Korea.
Invited to serve as the Chinese painting calligraphy review subcommissioner of Taipei Fine Arts Museum.
Invited to serve as the Chinese painting calligraphy review committee of WuSanLien Awards Foundation.
Invited by Korea's East Asia Daily to hold a solo exhibition at Seoul City Hall.
Invited by the Council for Cultural Affairs, Executive Yuan, to attend the Time Art Exhibition.
 

1984

(age 75)
Attended the Chinese Calligraphy International Conference held by the Council for Cultural Affairs, Executive Yuan.
 

1991

(age 82)
Recieved two hundred thousand dollars from the 17th Painting Calligraphy Special Contribution Awards from National Culture and Arts Foundation, Fu added another two hundred thousand dollars and donated to National Taiwan University of Arts for student's scholarship.
 

2001

(age 92)
Fu's calligraphy works are mainly  in couplets, mostly from the poems of Pu-Ru (溥儒).